This
eleventh entry in Bob Randisi's highly entertaining “Rat Pack”
mystery series is another solid job. It will hook you right from the
get-go, swirl you into the high-living, fast-paced world of mid-1960s
Las Vegas (as well as, this time around, Miami Beach) and propel you
along as fast as you can turn the pages or thumb the tab of your
e-reader.
Once
again you'll be making the rounds with Eddie “Eddie G” Gianelli,
former pit boss but now unofficial fixer/troubleshooter for the Sands
Casino. Moreover, Eddie has become pals with the Rat Pack crew—in
particular, Chairman of the Board Frank Sinatra and Dean Martin—due
to past problems he has helped discreetly “handle” for them and
some of their showbiz friends.
Such
is the case once more when Sinatra invites Eddie to join him on a
trip to Miami Beach where he'll be playing a brief engagement at the
Fontanebleu. Dino will be in town too, making an appearance on Jackie
Gleason's TV show that does its taping in Miami Beach. Because it is
Sinatra making the request, Eddie's boss at the Sands has no qualms
about grating him some time off for a little “vacation” that
Eddie is certainly eager for himself.
Once
in Miami Beach, however, Frank takes Eddie to meet “the Great One”
himself, Jackie Gleason. This introduction, it turns out, is really a
chance for Gleason to size up Eddie and then, liking what he sees,
solicit his special services—discreetly looking into a problem the
Great One is having. After all, Frank and Dino have lauded Eddie as
“the guy” ... the guy who can be counted on to handle such
things.
So,
wanting to neither disappoint or possibly anger Frank, who obviously
set up the whole thing under the guise of a “vacation, Eddie agrees
to see what he can do. It starts out simply enough: Some creep seems
to be stalking Jackie's girlfriend, Marilyn Taylor (sister of the
famous June Taylor, who choreographs the intricate dance performances
on Gleason's show); Eddie is tasked with finding out who he is, what
he's up to, and stopping him from continuing. From there, things
quickly start to turn un-simple. The action shifts back and
forth between Vegas and Miami and along the way Eddie will run up
against murder, betrayal, police corruption, mysticism, and threats
to his life including becoming the apparent target of a
knife-wielding “ghost” hit man no one can find a trace of except
for the stabbing victims he leaves behind.
All
of this is told in Randisi's lean, dialogue-driven narrative style
that does a fine job of capturing the era and the settings without
layering on too many details just to show he's done his research.
Which, make no mistake, he has done; if he says, for example, that
Sinatra was playing a gig in Miami on a certain date – he was
there. The nasty deeds and shady characters and plot twists woven in
and around the realities, that of course is Bob's craft and
imagination at work.
Eddie
G makes a fine protagonist. Likable, engaging, tough when he has to
be, smart enough to know his limitations. When he calls on a couple
of pals to assist him—mob strongarm Jerry Epstein and Vegas PI
Danny Bardini—the banter and friendship between them seems real and
well balanced. This is especially true with Jerry, and some of their
exchanges, in particular, made me laugh out loud.
If
you want a slick, fast-moving murder mystery with colorful settings
and characters, plot twists galore, all told in a lean, clear
narrative, you don't need to look any further than right here.
Strongly
recommended.
1 comment:
Hi Wayne,
Looking to get in touch regarding the works of Todd Moore, but your email (wddundee@charter.net) is bouncing back. Is there a better email for you?
Cheers,
Joe
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