In 1958, when this movie came out, I was 10 years old. I
still remember it vividly, albeit with the aid of a handful of re-viewings.
What I also remember vividly is the bombardment of TV commercials that came
with it. That's not to say I recall clearly the content of said commercials ---
except for the impact made by the first sight of the Cyclops as presented in
Ray Harryhausen's much-touted Dynamation. Even on our tiny, grainy,
black-and-white TV screen I knew I was looking at something special and
spectacular and I couldn't wait for a chance to see the movie.
This was probably my first awareness of big motion picture
hype.
(1958 was also the year of Joseph E. Levine's uber promotion
for Steve Reeves' Hercules, but that's a story to be covered another
time.)
As film entertainment, The 7th Voyage
of Sinbad is an epic adventure filmed in rich Technicolor with state of the
art special effects (for the time) that stands the test of time and can be
watched and enjoyed over and over. One could quibble about the lousy acting,
the poorly choreographed fight scenes, the inaccuracy of Sinbad's ship, and so
forth. But the 10-year-old kid who saw these things for the first time nearly
six decades ago didn't find fault in any of those things … and the remnants of
that 10-year-old who recently sat down and once again watched 7th
with his youngest grandson didn't give a hoot about them, either.
While some of the fights and fisticuffs were poorly
staged, the sword battle between Sinbad and the evil magician's skeleton was
top notch. (This was such a popular scene that Harryhausan used versions of it
twice more in Jason and the Argonauts and Sinbad and the Eye of the
Tiger – each perhaps technically better, but none more exciting or effective.)
The stop-action special effects methodology that Harryhausen
learned from his mentor Willis O'Brien (the original King Kong, Mighty Joe
Young) then went on to hone and refine throughout his career, holds a
special place in my heart over today's admittedly superior cgi techniques … and
none of the creatures thus created (except Kong himself, of course) are stamped
more indelibly in my mind/imagination that the Cyclops from The 7th
Voyage of Sinbad.
Another thing that made an ever-lasting impression on me was
the chant to call out the Genie of the lamp who played such an important part
in this film. Say it with me: "From the land beyond beyond, From the world
past hope and fear – I bid you, Genie, now appear!"
I don't think there's been a point at any time in my later
life when, if asked, I couldn't have remembered and recited that for you. Same
is true for "Klaatu barada nikto", the critical message for Gort the
robot, in the original The Day the Earth Stood Still. I bet there's a
high percentage of guys my age (especially the adventure-minded daydreamers,
again like me, many of whom probably aspired to and/or became writers) who
could also make that claim … Spare me the forced memorization of passages from
Edna St, Vincent Millay, Henry Wadsworth Longfellow, etc., that they tried to
pound into my head in high school --- give me quotes from impactful action
movies, and I'll nail 'em every time.
Anyway, back to The 7th Voyage of Sinbad …
If you haven't seen it in a while or somehow have never seen it, I urge you to
grab a DVD copy or catch it on TCM or whatever, and give it a look. It holds up
really well. If you can corral a youngster to sit down and watch it with you, I
bet they'll get a kick out of it, too. And that will enhance your own viewing
enjoyment.
